Biography

With an expected B.A. in Music Technology in the Spring of 2010, Eric freelances as a sound recordist, sound designer, and music producer. He has experience as a boom operator as well as in music production and engineering, ADR, voiceover, and location sound recording. An understanding of the techniques necessary to capture sound both on set and in the studio reinforce Eric's post-production expertise: his post-production knowledge allows him to anticipate the needs of a sound designer and save time and effort—after all, the more work done on-set the simpler the post-production process becomes. ...more
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Extended Resume
Screen
Independent Films
Obelisk Road (Extended Demo, In Prod.) Sound Designer/Recordist   Passage Pictures
Lurv (In Prod.)  Sound Designer/Recordist   Peresempio Picture House
The Wish Sound Designer/ADR Engineer Stonestreet Studios
Unfamiliar Faces Sound Designer New Lens Productions
Grey Sound Designer/ADR Engineer NYU Senior Thesis Film
The Neighbors Sound Recordist/Boom Op Evenly Distributed Productions
Oh Sophia (Trailer)   Voiceover Engineer  Peresempio Picture House
American Epilogue  Audio Engineer  Passage Pictures (2008 Cannes Film Festival)

Internet
Sass N Style Workshop Sound Mixer/Recordist Amy Salinger
Chop Chop Sound Recordist The Food Network/Rowing Without Oars, Inc.
Obelisk Road (Web Series, 5 Episodes) Sound Designer/Recordist Passage Pictures
The 47th Floor (Web Series, 18 Episodes) Sound Recordist/Boom Op Stone Street Studios
The 47th Floor (Web Series, 2 Episodes) Sound Designer Stonestreet Studios
Live in Five (Web Series, 4 Episodes) Sound Recordist/Boom Op Mistaken for Strangers

Music
The KoboldsMusic Producer/Engineer Unsigned Band
Blacks on Blondes Music Producer/Engineer Unsigned Band
Nobody Can Dance Music Producer/Engineer Unsigned Band

Sound Reinforcement
Western Union Press Event Live Sound Technician Fourth Row Films
Yom Kippur Service Live Sound Technician Hillel Service

Professional Experience
Professional Sound Services Sound Intern New York, NY
Excello Recording Sound Intern  Brooklyn, NY
Skirball Center for Performing Arts Stagehand New York City
Progress Energy Performing Arts Center  Stagehand/Sound Technician Raleigh, NC
Jeffrey Bernstein, Producer Sound Intern New York City

Gear
Sound Recording:
Fostex FR2 Field Recorder, ME66-K6 Shotgun Microphone Kit (with wind screen and boom pole), 2 Sennheiser Evolution G2 100 Series Lav Kits, Shure SM57 Dynamic Microphone, Sennheiser e835 Dynamic Microphone, Samson C01 Studio Condenser Microphone, Various Audio Cables

Post Production:
Mac Pro Quad-core 2.66 GHz with 5 GB Memory, PreSonus Firepod Audio Interface, Yamaha HS80M Studio Monitors, Mic Stand with Pop Filter, Music Stand, Logic Studio 8 Software (includes sound effects library), Reason 4 Software Synth, Final Cut Express

Instruments:
M-Audio Oxygen 61 MIDI Keyboard and Sustain Pedal, Ibanez Iceman Electric Guitar, Fender Squier Acoustic Guitar, Jay Turser Bass (Hofner Copy)

Education
New York University
Steinhardt School of Culture, Education, & Human Development
Expected BA in Music Technology 2010

Special Skills
  • Experienced in Logic Pro 8; Some experience using Pro Tools, Reason 4
  • Experience recording voiceover, foley and ADR
  • Well versed in soundboard operation, microphone placement and set-up, proper cable storage
  • Work exceptionally well under tight deadlines
  • Intermediate guitar and bass (5 years intermittently); Beginning piano (5 years as a child)
  • Proficient in German
  • Valid NC State Driver’s License and US Passport